This is the Shape of a Lie

I’ve always known I could spin the stories in my head into believable semi-truths. I have used this “skill” for selfish and what I believed were positive purposes.  

I used to think lies were like slips of paper in my mind. When I thought I was done with them, I could file them into neat little folders, lock them up and throw away the key. Or better: burn them. 

Lies have shape. I realize this now. They have color and depth. They are weighted and real and sit on your soul until they are dealt with.

Some lies are thin and reedy; the I-know-betters and for-their-own-protections. They whip through the air without much resistance. You are so sure of them that flicking them around comes without much thought. When you tell them, you feel the sting for a moment, then it goes away and you think you’re free. The red welt that appears later is a surprise.

Some lies are the heavy ball-and-chain of shame. Even if they start small and well-intentioned, they snowball. It is the lie you are telling to save your own skin. Even if you believe it is for the best, you know that the truth could come out, but you are too scared to let it. You hate the weight of it, but you have not seen yourself without the chains of lie draped over your body for too long. You are sure you can make it part of your own.

Even if you wear the lie well, though, it will be heavy to carry. It will drag at your ankles and wrists. It will sit like a cannonball on your chest– always ready-to-blow, a teetering explosion balanced on the knife’s edge

For years, I have told myself I would learn to live with the weight. I have been carrying these lies bundled on my back for years, my own personal cross to bear. I was sure that the shape and weight of the lies was common place. It was the cost of living. I have been tempted to ignore the lies and keep going. Move forward, I would tell myself. Don’t dwell on it. 

The thing is, you cannot actually move past a lie when it’s strapped to your body like a bomb.

Sure, I’ve learned to live with many of the lies. Ignore them, even occasionally go so far as to forget about them. Something always happens, though, that reminds me of the weight that sits on my heart, between my shoulders, and in my gut. The feeling never fully goes away.

Now that I understand the ramifications of them, the question remains: What happens now? How long will I hunch my shoulders, “moving forward” silently in agony? When will I finally stop, lay the lies at someone’s feet, and ask for acceptance or, more radically forgiveness?

More importantly: at what point will I be able to set down my bundle, lay out the lies, and look at them myself?

Can I accept my lies?

Can I forgive myself?

The Breath Before

I don’t often write fiction. I don’t think I do it particularly well, but I’ve been reading a lot of Junot Diaz this weekend and I guess I wanted to see what would happen. Here’s an excerpt. 


 

You are sitting with your back against a white, wood-paneled wall. The sun is streaming in. It is Winter, yet somehow still bright out. It is early morning and the cold seeps through the cement of your crappy apartment near the subway and all the way through to the wood of your wall. The cold is soothing on your back. It is 6:25 in the morning, and you are unsure if what is happening to you right now is real.

Moments before, you had snuck to his phone and looked through. A cardinal sin, yes. But you have a gut feeling. That’s how you justify it. Or maybe your life-long desire to Nancy Drew your way out of situations has reared its ugly head again. Or maybe you were just curious. Maybe all three.

Anyway, you do it, and after snooping through some text messages, you find photos. Lots of photos. And videos. Some girl whose face you don’t know, but in that moment it doesn’t matter. Later, you will wonder if she was in on it, if she knew, but, in the end that won’t matter either. She didn’t promise you anything. All you know is that the photos are there and the photos mean it’s the end and the photos rip you down the middle.

Now, you are sitting against the wood wall, trying to understand what your life looks like in this moment.

Later, after you have kicked him out of your small studio, you will realize you need to be at the lab in twenty minutes. In a daze you will find clothes and your coat. You won’t know how you got there, but the doors will swoosh open. You will duck past the interns waiting to be briefed by you. “Hi, Doc!” one will call out as you give a small, tight-lipped smile back. Later, he will remark to his friends that you seemed off that morning.

You will find your way into the office. Dan, your lab partner, will turn to ask why you’re late. He will see your face and know. He’ll wrap his arms around you and you will allow yourself a single sob. A convulsed release of the air and pain that have been sitting in your chest since 6:22 that morning when you saw the photos. He’ll give you a squeeze, then you’ll release yourself from his embrace, smile, and say, “Here we go,” before you turn to do your goddamn job.

That’s for later, though. Right now, you are sitting in your room, your back against a cold, white, wood-paneled wall. You look at his body splayed across your bed, his feet hanging off. You pull at your lower lip, your nervous tick he always picks on.

When you found the photos, your stomach tightened, you caught your breath. Suddenly, for a second, you saw only white, before it faded away and the photos and the videos were there again, as clear as day. It was as though your brain has taken a screen cap of that image, so that later when you are deciding what to do, it would throw the memory of this moment back front and center. Your ears start ringing. It will not stop until you make it into Dan’s arms later that morning. You drop to your knees, before getting up, putting on the first dress you can find and sit on the bed.

You find yourself there now, your back pressed against the wall for stability.

Later, after you have woken him and told him what you know and told him to leave, he will sit there, his eyes red and wet. He will apologize, but he will know better than to ask for another chance. He will tell you he still loves you, and how sorry he is before you finally get him out the door. It will take nearly an hour.

That hasn’t happened yet, though. That will be the memory you sit with later that night over a glass of whiskey that you are crying into: the image of him on the edge of your bed for the last time.

Right now, you are sitting at the other edge of your bed, you back against the cold, white, wood wall. You pull at your lip and furrow your brow. You wonder for a second if you could simply erase the image. If you could make things easy. If you could continue unabashed and unabated.

You know you cannot.

You take a breath. In. Out. You take another breath in and reach over to shake his leg.

“I need you to wake up now.”

Everyone Deserves to feel Limitless

 

DONATE
I’ve written before about “limitless potential,” and how running gave me that power.

I don’t know that I’ve always written about the people who helped truly get me there.

SRLAThe first time I ever ran more than a mile, it was with my students.

We didn’t have a field. We ran laps around our school in preparation for the LA Marathon. My body rejected every single step and, after the first mile, all I wanted to do was quit. Who do you think you are? my mind screamed. You’re not built for this.

Then, I heard screams from the balcony of our building. “Go Ms. T! You can do this!” I looked up and saw a handful of students smiling and waving at us as we ran along. I was a new teacher at the school, and we were only a few months in, so I was surprised they knew me.

I couldn’t help but laugh, wave back, and start running again. I wanted them to see me keep trying. I wanted them to know they made me want to keep trying, because of how hard they worked. I wanted to keep going because I wanted to make them proud, the way they made me proud.


DONATE HERE
Now, 7 years later, I have the chance to help another group of students. I love running, now, because it makes me feel limitless and without potential.

So many of our students have this same potential, but aren’t given the access or resources they need to thrive the way so many other do. So many of our students are taught, early on, that their potential is tied to where they grew up or the community they come from. Their histories are painted as a false anchor instead of a bright sail to push them forward.

Our students deserve better. Hoku Scholars tries to give them those tools. Every step I take for this race, I hope to help give more students the same limitless possibilities I feel when I run.

I hope you’re able to help on this journey. Every little bit counts.

 

We Are The Adventurers: Thoughts on May the 4th

We have always been a family of dreamers.

My brother and I like to joke that growing up in our house set us up to be nerds. From a  young age, images of space, aliens, and other worlds were as much a part of my life as the introduction music to Reading Rainbow (and when the show visited the set of Star Trek: TNG, I nearly wept with joy).

My father loved science fiction, and I would often walk downstairs to find him watching an episode of The X-Files or Star Trek (TNG, then Voyager later). Sometimes, he would even pop in 2001: A Space Odyssey just for fun.

So, it should come as no surprise that Star Wars was, like many, a seminal part of my childhood. Empire Strikes Back was actually my parents’ second date. I can’t even remember the first time  I watched it. We had (and still have) a VHS gold box edition of the original trilogy that my brother and I would put on anytime our parents worked late or we were just looking for something to do. Our first “pets,” two tadpoles fished out of a grimy stream, were named “Luke” and “Leia.”

When I think, now, of why science fiction was such an important part of my upbringing it was because there was consistently a sense that magic was possible in our household. Growing up one of the few Latino-Filipino families in our upper-middle-class suburb, it would have been easy for our parents to err on the side of pragmatism. They had worked hard to ensure that my brother and I didn’t want for anything, and I have no doubt they wanted us to be successful and be able to take care of ourselves financially as well.

What they also did, though, was ensure that a drive for success never outweighed our ability to dream. When I wrote Star Wars fan fiction (no, you can’t see it, because I burned it) or we spent hours playing and collecting Star Wars cards, my parents never scolded us for wasting our time. When we poured over books to learn the mechanical and tactical differences between an X-Wing and  TIE fighter, they didn’t tell us to do something “better.”  When we devoured Star Wars novels to continue the stories in our head, they didn’t grab the pulp novels out of our hands, shoving “real” literature into them. They asked what we liked about the books.

My parents encouraged our imaginations, enabled our passions, and gave us space to think about other galaxies and imagine what it would be like to pilot the Millenium Falcon. When we watched Return of the Jedi together, my mom said she could understand the Ewoks (and since Lucas borrowed heavily from Tagalog, she could), and my brother and I looked at her with wonder in our eyes.

We were allowed to be weird, mind-adventurers because we lived in a household that fully supported not just the existence of magic, but also the discussion of what could be out there that was much, much bigger than us. 

So, when I hear John Williams’s opening credits, I still feel that sense of childhood wonder. My heart squeezes a little, and I can’t help but feel a smile spread across my face. Sure, in some ways it’s because I’m excited to see the familiar faces of Luke, Leia, Han, and Chewie come on screen.

Even more affecting, though, is the memory of my magical family. When I hear the opening credits of Star Wars, I instantly remember the feeling of my family curled up in the living room watching with wonder, dreaming together, and imagining what it would be like to live in a galaxy far, far away.

Are You Any Better Off?

Stop. Breathe. Again.

Good.

I am looking out on the ocean at Diamond Head, wiggling my toes in the sand. It is near sunset, and the tide has come up to my ankles. I look down towards surfers leaving the water and couples taking sunset-selfies. This is a nice beach. I think to myself.


Four years ago to the day, I stood on a beach one bright May morning not far from Diamond Head and thought the exact same thing, this is a nice beach. It was my first morning in Hawai‘i, and I had woken up early to go for a run. I explored my new surroundings, amazed that I had actually made the jump and moved here.

When I came to Honolulu in 2012, I had a whole host of reasons why I chose to leave Southern California:

  • I had never lived more than an hour from where I grew up, now was the time to leave.
  • I had never “adventured” after college the way I had wanted to.
  • I was young and figured,”if not now, when?”
  • It was time to ~let go of my stuff~

All of these things were true, in some form or another. Still, none of them were at the true root of why I left: at the time, I hated who I had become.

I don’t mean that in a terribly self-deprecating way, but I had made choices that were actively against the kind of woman I wanted to be. I stayed in relationships that left me feeling hurt, disrespected and jealous. I was selfish and deceitful, with the justification that I “deserved” certain moments of happiness in my life. I drank too much. I partied too hard. I was reacting moment-to-moment only seeking the next high of happiness or excitement because I was a “twentysomething” and that was my right, dammit.

So, I ran. It’s what I’m best at, after all. I didn’t ghost; I found a job and made plans and tried to make a place for myself, but I packed up my life and ran as far as I could. I stood on that beach, the morning of May 1st, 2012, hoping– as cheesy as it was– that it was also the dawn of some, elusive, better version of myself.

Four years later, to the day,  I am standing on a beach looking out at the ocean, facing that question head-on: Am I better off now than I was four years ago?


The tide tickles my calves as it comes up further. A breeze wraps itself around me and reminds me of the mantra I used a moment ago. I close my eyes.

Stop.

I think about the girl I was at twenty-four. I moved here and grew. What I didn’t fully realize was how much growth can and will sting. That it still involved choices I would come to shake my head at. Becoming “better” doesn’t protect you from getting hurt sometimes. It also doesn’t prevent you from hurting others. What I see now is that the depth we can hurt each other is matched only by our depth to love each other as well.

Breathe.

Four years later, I have a longer lens with which to look back on my life. Amid the tense and exciting moments, I take stock of the pauses, the silence. Sometimes all we need is a moment to move past our initial, irrational response.

On the cusp of reactionary implosion, our brain can kick in if we let it. It can read the situation, triage, and clarify what needs to happen next to move past this. The silence isn’t complacency. It’s the time where our mind took a moment to cement in the lesson or the story or the power we would need. It stores it deep inside ourselves, a reserve of strength and wisdom saved for the next time we need it.

Again.

The way we learn is cyclical. We come to understand something, we face it in a different context, and all we can hope is that we handle it with a little more grace than we did before

If anything, the scars we had from the last time should serve as a map we can read as we navigate through this current struggle. ‘I have been here before,’ we remind ourselves, ‘I will come out on the other side. I know what I need to do to get through this.’ We begin the familiar rituals we do to heal. We try to learn. We try to get better. We don’t always succeed, but maybe, just maybe, this time, it’s a little easier.

Good. 

I open my eyes. I look back at the ocean. I have run Diamond Head many times, but rarely stop to come down to the beach and take a moment to breathe. I look at my legs and feet in the water.

I see the scars on my body, I see the parts of myself that have already stretched like new skin over healing hurts. I see where I have grown. I see the wounds and the dark parts of myself that still need to heal. Maybe the difference, now, is that I see the shape and color of the work that will go into that growth.

In some ways, not much has changed. And yet, everything has changed.


An initial version of this included the following passage from Cheryl Strayed’s Wild, and I felt compelled to share it still. It’s one of my favorite books. I highly recommend it. 

But as I wrote his name now, I knew I was doing it for the last time. I didn’t want to hurt for him anymore, to wonder whether in leaving him I’d made a mistake, to torment myself with all the ways I’d wronged him.

What if I forgave myself? I thought. What if I forgave myself even though I’d done something I shouldn’t  have? What if I was a liar and a cheat and there was no excuse for what I’d done other than because it was what I wanted and needed to do? What if I was sorry, but if I could go back in time I wouldn’t do anything differently than I had done? What if I’d actually wanted to fuck every one of those men? What if heroin taught me something? What if yes was the right answer instead of no? What if what made me do all those things everyone thought I shouldn’t have done was what also had got me here? What if I was never redeemed? What if I already was?

– Strayed, Cheryl (2012-03-20). Wild: From Lost to Found on the Pacific Crest Trail (Oprah’s Book Club 2.0 1) (p. 258). Knopf Doubleday Publishing Group. Kindle Edition.

The Lies I Unlearned When I Chose Love

Little known fact about me: my parents and older brother call me “baby,” ensuring I will be some Filipina child’s “Tita Baby” some day. 

Anyway, this is a letter to myself– now, myself in the past, and myself going forward.


Baby,

The world will tell you that you need to guard  your heart and only give love to people  that “deserve” it.

Maybe they’re right.

And they wouldn’t be the first. “If love be rough with you,” a poetic but hot-headed man once said, “then be rough with love.”

Another man once wrote, though, that if you lead a loving life, it is natural— if not essential— that you will fall in love. You will tumble head first into vats of it. Love will be gooey, messy and unpredictable. It will get in your eyes and under your nails, and you will find it dried behind your ears days after you thought you had finally scrubbed yourself clean of it.

And that’s beautiful, but it’s terrifying. It will scald you. It will go up your nose and make you cough in that painful way that rips open your throat. It screws up your clothes, staining in a way and no amount of bleach will get it out. This love shit will seriously fuck you up.

But stop running from it, baby. Stop running from love because you’re scared that you’ll never be able to scrub it away. You’re right. You won’t. It will leave a permanent mark. It’ll burn you in ways you weren’t ready for.

But stop running.

Here’s the lie you must let go: the belief that love only looks like one thing. To choose love is to understand that love comes to us in so many forms.

Love is not just kisses and rainbows. Love is bigger than presents and the person who holds you when you cry. Love is not only the arms of someone else. It is not always soft. It is not always simple. It is not always laid out and easy to reach. Sometimes you think you’re there only to learn that love is at the top of an impossibly long, climb.

Sometimes, love is the brutal, honest truth laid out on the table, looking at all the parts of that truth and making the choice. It sees all the shaky, scary bits and says, “Yes. I’m in.

Sometimes you have that conversation with a partner.

Sometimes with a friend.

Sometimes with yourself.

Still, that’s not the only way love manifests. It’s the text chain with a friend reminding you of your own strength. It’s the head tilt and the quiet question, “Are you okay? What do you need?” It’s the kid who puts everything on the field for you and for them. It’s the moment you hear your own heartbeat and feel joy.

Here’s the other lie: they have been trying to convince you that your heart will only produce so much love. They are convinced that you will meet your quota. That someone will see your secret stash of it and steal it and not give you any in return. That will happen. It will fucking hurt like hell. It will make you feel frustrated and sad.

But it won’t mean you don’t have any more love to give.

So, even when it’s difficult, choose love. Even when you know you might get hurt, run towards love.

Well, don’t run. Walk. Stroll. Take your time. Know what it really means to give and receive it. Sit with the knowledge that you will hurt other people. Love doesn’t guarantee constant happiness, but it does create joy.

But choose love. Walk towards it even when it annoys the shit out of you. Choose love even when it is ripping you at the seams. There is a fine line between DEconstruction and REconstruction, and the two are not mutually exclusive.

You will get burnt. You will be betrayed. You will realize that what you thought was love was actually something else, or that it became something else. You will cry and feel sadness and be hurt.

But you are no fool. Don’t believe that choosing love makes you naive or a dupe. You are not unworthy. Just because love transforms or leaves or isn’t enough doesn’t mean you were weak or wrong. Your ability to give love was never a weakness. In reality, it’s the greatest strength you possess.

So, stop running FROM something, and move towards love. When you see it at the top of an impossibly long rope, climb it and ring the bell for youself. Even if you fall after, you got there in the first place, the echoed ringing a reminder of how powerful you really are.

2016-01-19 10.25.47-1.jpg

Everything is on Fire (and That’s Okay)

It’s been over three weeks since I’ve written anything that is both personal and publishable. I keep opening the page, seeing the white box and the blinking cursor and drawing  a blank.

How do I put down what it means to systematically dismantle a life?

Not in an overly-dramatic way. Unlike my early twenties, it lacks the flair of simply setting the thing on fire and watching the flames dance in the sky. No, this has been a slow, methodical sort of burn. It’s the kind you chose to set aflame to save everything else.

It’s understanding that you need to set down your armor– there is no fight to win now. It’s removing and reimagining the parts of yourself you were so sure you knew, then realized had become foreign when you looked in the mirror. It’s knowing that you can’t use tape and glue anymore, you simply have to appreciate what was built and move on. It’s seeing that everything is on fire, but maybe that’s okay. Sometimes you have to let things burn so new things can grow.

What does it mean to rebuild a body?

How do I explain what it signified to stand alone in my room and hear only my own heartbeat? Is there a name for the tension that exists at the corner of “absolutely terrified” and “utterly excited”? I haven’t yet found language to explain what it means to know that the next few steps of your life will be frightening and difficult, but that you don’t regret them for a moment. It’s unstitching the parts of yourself you were sure were dead, only to find there is still life there and that it is blooming in spades.

There is a unique mixture of grief, fear, joy, terror, and wonder that comes from running your hands down your own body, grabbing the flesh of your hips beneath your own hands and being able to whisper, “This is mine now, only mine now,” in small, sanctified breaths; the prayer of your own newfound path ritually running through your mind.

How do you talk about rediscovery?

IMG_9688Not in the pop-queen-country-belle-diva sort of way, but within the small, undefined moments you had forgotten too. The moments where you realized  you were at the mercy of only your own whims; the simple, everyday decisions where you only have to ask, “What do I want?” I am searching for the couplets that could explain the simple pleasures of small choices. I am seeking stanzas that explain the joy of newfound agency.

The discovery is a montage, flashes of light shot through my heart: bursting into laughter on a hike, catching my breath in open ocean,  a heavy sigh of satisfied relief at the end of a long day; all the images reveal the mini-epiphany of, “Oh! That’s who I am!” and are full of a sense of wonder I thought I had lost long ago.

Is there a word for the moment between falling and flying?

I haven’t found one yet, something that properly captures the silver second where the sheer ridiculousness of what you are doing becomes perfectly clear. It’s elation and fear. It’s passionate and sensual and make-your-stomach-drop terrifying. It’s the silence in your ears before going down the big hill on a roller coaster; it’s sharp intake of breath before you hit the water from the cliff you just jumped off of.

It’s the knowledge that you cannot go back, that what lies forward is completely unknown, but that the horizon out there is full so much potential you can’t help but just start giggling like a kid seeing the ocean for the first time.

It is wild and unfettered and chaotic and perfect.

 

Unapologetic: Claiming the Self as Woman

This article originally appeared in EdWeek.

This month, I’ll be featuring the voices of female educators in honor of Women’s History Month. More written about this is here.


When I was a kid, I used to look in the mirror and imagine my body was made up of puzzle pieces– each one a talisman, a marker of some part of my larger identity. My eyes, big and brown, slightly almond-shaped, were tied to my great grandmother’s Spanish roots. My long, curly hair was a flag that waved a crest full of similarly curly-haired women from past generations. My wide smile and doubled-over laughs were sure markers of my Filipina mother’s family. The soft, fullness of my hips simply identified me as: girl, Brown.

Like many women, I have analyzed my identity piecemeal for years. I have used eyeliner to draw focus to the shape of my eyes and bottles of products to manage the curly-haired flag. I have tried diets and not eating in an attempt to remove a whole part of myself, thinking I could tame the beasts of Vanity and Validation if I only fed them. As I grew older, the reflection changed but my hips remained. Still, they identified me simply: woman, Brown.

As I grew older, I learned it was not just my body that was divided for the spoils. Parts of my personality are also graded on a scale of effectiveness. Big emotional displays are a feminine “weakness,” the kind that tells girls they are alternatively “needy” or “bossy” when they make requests. The willingness to give love instead of fearfully squirreling it away are “naive” or “doting.” My desire to care for others are given diminutive names like “nesting” or “nurturing,” as though only baby birds are worthy of the strength it takes to open one’s hands and hold the heart of another’s.

Now as a teacher, I have been asked–and ask myself–to judge how these aspects of my femininity have affected my classroom. Do my eyes, hair, and hips affect the way I am perceived as an educator? Are caretaker tendencies a benefit to my students, or merely a reflection of the glass ceiling the patriarchal lens perpetuates to cap my own abilities?

Over the past month, I have sat with those questions. I have attempted to cut out the parts of myself I have labeled as “woman, Brown,” lay them out, and look at them in the fluorescent light of my classroom.

After reading some amazing voices this month, I am now struck by an important realization. I can’t help but wonder if I have made an error in my self-perception. While I embrace intersectionality of identity within my students (hence the title of this column), I perhaps neglected those intersections within myself.

I have assumed my parts labeled as “woman, Brown,” were things that needed to be cut out and analyzed. In doing so, I failed to realize that the act of separating these parts out inherently ignores that they are a core part of my being.

My femininity isn’t accouterment that I attach to my role as a teacher. Being a woman is a central part of who I am. If I assume the parts of me identifying me as “woman” were something I could easily set aside, I implicitly diminish their worth not just in my practice, but my life.

Obviously, a healthy reflection of the self is essential to our work. However, I think it’s important to consider the place from where we are questioning: are we seeking a deeper understanding of ourselves? Or are we attempting to justify the parts of identity that the oppressor has taught us are unworthy and weak?

After reflecting this month, I have learned that being a woman in education means breaking down walls and being role models. It means accepting hard truths and standing up and asking tough questions.

Most importantly, however, it means choosing to unapologetically claim my womanness as part of my identity as a person and, therefore, as an educator. Instead of attempting to separate it out as an “extra” part of me, I realize I must accept it as a central part of me. The first step to truly understanding what it means to be a woman in education is seeing my womanhood as woven into the fabric of my being, not just little labels on particular parts.

As women’s history month comes to a close, I step back in front of the mirror. Instead of seeing just eyes or hair or heart, I see the whole of myself named: woman, Brown, teacher.

IMG_8478.JPG

‘Often Imitated, Never Duplicated’: Black Womaness in the Classroom

This piece originally appeared in EdWeek.

This month, I’ll be featuring the voices of female educators in honor of Women’s History Month. More written about this is here.

Guest post by Awo Okaikor Aryee-Price.


“Oh, my God! Oh, my God! Ms. Aryee-Price, you’re not going to believe this. I’m writing an essay that was assigned to the 8th graders!”

You see, that’s Aida. A seventh grade, Afro-Latina student of Dominican descent whose thirst for knowledge reminds me of myself at her age. She gives me life within an oppressive system I find myself having to navigate and negotiate every day.

As a Black woman teacher who is also a numerical minority in my district, I often feel like a sea otter in a bed of sharks that are waiting to attack and devour me at any given moment. Making the wrong move, uttering the wrong sounds will cost me my life. That’s real. My Blackness and womanness intersect in ways that I cannot escape, so survival becomes the ultimate goal. My students are my survival.

I grinned; her enthusiasm for school gives me a unique kind of energy that keeps me coming each day.

girlreading.jpg

In a classroom discussion about The Outsiders, by S.E. Hinton and the protagonist, Ponyboy’s obsession with Gone with the Wind, I encouraged students to critique this problematic story of the Old South. Aida’s constant questioning and wondering led us into a brief exchange.

“Next year,” I shared, “you all will read To Kill a Mockingbird, a text that explicitly tackles racism, power, privilege, and what justice looks like for some…”  She was intrigued.

I could see the wheels spinning in Aida’s head. In the only way that she could express, she blurted out, “I’m going to read that book.” And she did.

My hope is in the children I teach each day. Our language arts classroom discussions center their lives, their stories, and the experiences of people who look like them. It is important they get to see themselves represented in the classroom. It is important they get to see humanity in its fullest form and what happens when an oppressive system attempts to dampen their hopes and desires. And it is equally as important for them to see when people like them fight this oppressive system: win, lose, or draw.

 So when Aida told me that she did not pass language arts class last year, I questioned how that could happen. What went wrong? Did our system fail this child? How can a system that is not intentional about educating students of color, predominantly Black and Latino, succeed? Having a colorblind approach to teaching our students not only invalidates their lives but discourages them from seeing the divine and magic within themselves. As a Black woman who teaches mostly Black and Brown students, and as one who approaches the classroom from an anti-racist and social justice lens, it is imperative that my students see the divine in themselves. That’s their survival.

Unfortunately for many of us, we are born into this white heteropatriarchal society. It’s an oppressive society that we have all inherited, so anything counter to that reality runs the risk of being silenced, isolated, and defeated.

And because we were all born into this unjust system, we cannot escape it’s oppressive ways unless we actively and collectively work to disrupt it. As women, we internalize this oppression, and see it manifested and perpetuated in various forms between our daily interactions with each other. But as a Black woman in this system, I need to go into work fully armored.

So yes, I will be punished more harshly than my white male counterparts, and even more severely than my white female counterparts. No “bad days” because that courtesy is rarely, if ever, extended to me. There is no room for me to mess up. No do-overs, even though others may be allowed that courtesy.

Therefore, I stride into my classroom knowing that the world is going to be unforgiving to my students. So I forgive them endlessly. Yup, seventy times seven, I forgive each of them. I walk into my classroom knowing that the world has very little love for them. I shower them with love. I strut into that classroom knowing compassion sees them not. So compassion and empathy are the center of the approach I take with them.

I remember the very first comment Aida made to me when she introduced herself, “Language Arts is my worst class, Miss. And I don’t know how to write well. I just want to let you know that.” I smiled because I saw something much more brilliant in her than she thought I did.

Now, Aida has not only proven her ability to write well, but one of the other eighth grade teachers has collaborated with me by allowing Aida to sit in on her class discussions of To Kill a Mockingbird and to complete the work assigned to the eighth graders. If only you could see the pride on her face.

We sat over lunch last week to discuss the book. I remember sitting there, deep in conversation and seeing the determination in a child who needed to see herself represented in her classes. She needed others to see and know her brilliance. Aida knew it; the rest of us were slow to the party.

I am consciously aware that my Black womanness informs my teaching and my approach to engaging the learners in my classroom. My Black womanness is acutely conscious of the ways in which oppression intersects in my daily life, in and out of work, and the lives of my students. And that knowledge and awareness cannot be duplicated or experienced by those who do not share in this.

It is because of my experience as a Black woman that I commit to justice within and outside the walls of my classroom. This is not to say that white teachers cannot do this work; they must. There just needs to be more intentionality when approaching the classroom. It must be free of paternalism, and full of self reflection, equity-driven, justice-driven anti-racism education.

I spent most of my years in public schools in the United States without having one Black teacher until my senior year of high school. I was desperate to see someone who had a similar experience as a Black woman, so I took accounting, a subject I hated, only because I wanted to experience having Ms. Holloway.

I envied the students who had Ms. Mack as a teacher, or Ms. Bolden as a guidance counselor. Those students appeared to be seen, heard, encouraged and loved so much more. I longed for that in school. As a teenager, I immediately recognized their value and power and wanted to be that for my students. Hence, it should come as no surprise to me that my students understand the value I hold for them, even if others pretend they do not know. But in the words of Fabulous, we’re “often imitated, but never duplicated.

Image via Flickr.


Awo Okaikor Aryee-Price is a grade 7 Language Arts teacher, a part-time Organizational Development Consultant with the NJEA, and a member of EduColor. As a partner and mom of two, Okaikor still finds time to do the work she truly loves: community and teacher organizing that centers anti-racist principles and social justice.

The Miracle Is That We Are Beloved

The worst part of death is the terrible silence. It is absolute– a void so empty it is rich in its darkness.

Be it of a loved one, a relationship, or a period of our life, there is always still the silence. The pause after the final breath. The moment when any denial we had about what was happening is stripped away. We can only look down at our hands and know, ‘This is my reality now.’ I heard that silence when I hung up the phone with my grandfather after telling him goodbye, knowing I wouldn’t be able to see him before he passed. I felt it when I returned home from an ex’s, with three years of my life reduced to a few garbage bags in a now empty-feeling apartment. There is nothing we can do but look down at our hands and realize that our previous reality has shattered, and that there is a looming darkness we can only face.

It is easy to feel unworthy in those moments. Everything we held dear has been stripped from us, it seems, and we realize just how fragile we are, how human and imperfect we are as we stumble through life. It is easy to look in the mirror, see nothing but the pain and darkness of that death and feel like we will never find the love or joy or happiness we are certain has left forever with death.

And yet.

Growing up, I had a priest who once reminded us that the renewal of God’s love at Easter didn’t, you know, have to take place on Easter. “If not today,” Fr. Fred told us, “Easter will come.” Even if it was not that Sunday morning, we were reminded that at the end of it all God’s love renews, heals, saves. Even after we have beaten, spit on, and ridiculed Christ, God still decides we are worthy of His love and forgiveness. 

I am reminded of this now, on an Easter Sunday where I am in the process of rebuilding. The darkness we face after a death isn’t a completely false one. Often times, it is an important reminder of our own humanity and imperfections, of the places we faltered and failed.

The darkness isn’t the lie; the lie is that we will never find that joy again.

I know that the miracle of God’s love is not that the world is perfect or that everything is good. The miracle is that, with those imperfections, we are still beloved. The miracle is that even when we are sure we are horrible and hopeless creatures, God reminds us that we are still worthy of love and grace. If we allow them, we still have people and moments that move us to uproarious laughter and countless joy.

This morning, I send a friend of mine a quick Easter message saying, “Rejoice! His is Risen!” He replied in kind and mentioned how blessed we were that we looked inside the tomb and see that is empty.

There, too, is the miracle. The story of Easter does not run away from the notion of death itself. Christ is still crucified on Good Friday and mourned for those three days. We all have parts of ourselves that die as we seek renewal. God’s love doesn’t make death disappear. The resurrection is not a wiping-the-slate-clean reaction of naivety. When Christ looked down and showed us His hands after the resurrection, they weren’t magically devoid of scars. Christ still bore the wounds of His past and crucifixion, even after He rose.

Easter is not about easy fixes or magic healings. It is when we acknowledge both death and the imperfections that came before it but do not stay in the darkness with the decaying forms of our past. The tomb is empty. We don’t have to cling onto those parts of ourselves anymore. Instead, we decide to walk out of the darkness with Christ and rise up better than before.

So, as this Easter comes, I am eager to walk forward in the miracle of God’s love. I look down at my hands and see the reality that they are still weathered and broken from the last part of my life.

This is my reality now, and that is okay. It is good. It is blessed. I have no need to dwell in these past pieces of my life. Instead, I stand up and walk forward out of the tomb and towards light.

FullSizeRender.jpg